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20121127
20121127
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can't just go and move a brush around. i have to have a beginning. i don't want to just use models, figures. i just want to have some reason. and the beginning is adam and eve and a tree and a serpent and a garden, and that's enough, see. except that pat didn't like that kind of biblical con-- you know. and she said, "don't use adam and eve and creation. just say, 'you and me.'" and i liked that very much. i almost got that, didn't i, pat? passlof: yes. i can see just what i can do, and i could almost see the right thing to do. it wouldn't take much to get this started, huh? but, you know, i did this all in a couple of hours. the first five minutes is the best. [ laughing ] after that, you're in trouble. what am i going to do with these paintings? i have to think of something that will give me a start. i don't like the size of the figures. it's the wrong size. passlof: well, it's easy to cut them down. mm-mmm. i thought i could manage this size, and i now i see -- they are much larger than you usually do. yeah. and this, of course, is ridiculous. and that's ridiculous. absolutely r
conce allows weaving to be performed from either side using multiple groups of yarn twisted together and passed over varying numbers of warps through the months of april and may, meter by meter the forms of the tapestry gradually begito emerge. miro has said of his approach to art, "things come to me slowly. my vocabulary formsas not been the discovery of a day. it took shape alst in spite of myself. in this way, ty ripen in my spirit." into the steamy month of august, the spirit of "femme" grows until the figure is complete. now, with only a few inches of background remaining, royo welcomes miro to his studio once more to witness the final steps of an eight-month process. royo says, "working together, we have become solosely attuned that i can almost read his mind. i take direction as much from an expression or gesture as from words or sketches. working with miro has forced me make a constant effort to do better, an effort from which i have benefited in many respects." for these two catalan artists, it has been a fulfilling experience. what was born in the imagination of one artist
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